Riding on the back of a motorbike. Racing the dusty red-dirt road towards Sirigu. It’s blazing hot. Kids wave from the shade of huge trees.
We are near the border of Burkina Faso in Northern Ghana and it’s the tradition of painting bright designs across houses that I’ve come to see.
Sirigu is the most well-known painted village.
It’s the woman’s job to decorate.
The housing designs are abstract geometric and stylised animal figures, either painted on a flat surfaces or molded into relief across walls.
Colors are limited to black, red and white, and they’re sourced from natural local materials – like red rock, which is crushed to powder to make paint.
DESIGNS OF SIRIGU ¹
Cattle: the symbol of wealth.
Python: totem symbol of clan and protection.
Crocodile: totem symbol of saving life of a clan.
Abstract geometrical forms:
Broken calabash: the expression of ever useful.
Male symbols: show masculinity.
Cows: symbols of prosperity
Pottery is another traditional skill of the Sirigu women.
These containers are for water, local beer, food and as cooking pots. Pottery also plays an important role in marriage and funeral celebrations.
At the NGO pottery workshop, the women were surprised, then applauded when they were informed – via Rashid – that my country New Zealand, had a female leader (Prime Minister Helen Clarke, at the time).
Sirigu women are very much confined within a patrilineal society.
“The man is the head of the family, who may have one or more wives. The senior wife has the central room of the compound. The other women may have their own rooms joined to the senior room by circular walls. The head of the family may have other brothers and their wives and children living in the compound.
Traditionally women are regarded the property of their husbands after the dowry has been paid. Women cannot own land, but may borrow it for farming purposes. They cannot take part in decision making for the family or themselves and have no right to their biological children in case of divorce or decease of their husband.” ²